Torotoro National Park, Bolivia
2 march 2015
We wake up to a quiet morning in Torotoro, the tiny village that’s grown up in an ancient valley full of dinosaur bones and old mysterious caverns.
This day our hired guide takes us out a long Torotoro street paved with pebbles, toward the national park. A herd of sheep passes us, driven by a woman in traditional dress, and we stop by a riverbank where our guide points out nondescript-looking depressions in the stone. They are the tracks of dinosaurs, apparently – apatosaurus and velociraptor – though I still can’t figure out how you tell the tracks apart from random holes in the stone.
Our Spanish-speaking guide’s name is Macedonio (many times this week Roman and I forget his name and say “I know it’s almost the name of a country…”). He walks quickly over the tumbled stones of a dry riverbed where he tells us he’s been running since he was right. We hike along the boulders to a small natural bridge, and further on to a huge canyon where we see red-fronted macaws circling the thermals in pairs.
Macedonio hops confidently down steep steps that lead to the bottom of the canyon. He doesn’t look back or walk at our slower pace. This begins to bother me after a while, as I step carefully and slowly to keep from slipping down the steep incline. I think I recognize his attitude from the days when I first began hiking. When you’re in shape the temptation is to show off. For a wilderness guide, this temptation is both stupid and dangerous (I believe), since it doesn’t matter how in shape you are if someone in your group isn’t able to keep up – and furthermore it sets a terrible example for people who aren’t familiar with the terrain or acclimatized to the altitude. I try to stay patient with him and focus on enjoying the scenery.
At the bottom of the canyon we begin to follow a creek (Macedonio jumps over slick boulders and disappears around blind curves, leaving us to guess at the best route across the stream). I forgive him a little when we come to a wide, brown pool where the stream pans out and mixes with water spilling down the canyon wall in a series of cascades tens of meters high. We change into bathing suits and swim in the cold pool and laugh as we shiver under the cold spray of the waterfall.
Later as I’m lying in the sun after lunch, the stream starts to rise rapidly. “It’s raining hard in the valley,” Macedonio tells us. In a few minutes it’s gone from a stream to a torrent and the water is at least a meter higher than when we came into the canyon. For some reason Macedonio is ecstatic about this really quite dangerous situation. Roman and I shake our heads and wait an hour for the water to go down while Macedonio walks around giggling and taking photos. We navigate out the canyon over high water (sometimes through it, holding hands to keep from falling). Macedonio decides to climb a random boulder, about 5 meters high, while we wait for another group to pass. Later we drip up the steep steps we came down earlier and Macedonio lags behind us, exhausted from climbing, stopping to splash water on his face and rest.
In the afternoon we meet him for a visit to a tiny, shabby building displaying fossils and bones they’ve found near torotoro. It’s an interesting exhibit but Macedonio rushes us through it. On the roof of the building he talks to us about the land his family owns, the area surrounding the building where they’ve found fossils and turtle skeletons. We walk through a corner of a fenced-off acre of red dirt and he shows us how to see where the white half-moon skeletons of turtles lie buried in the brown hills.
Macedonio leaves us for the day a few hours before sunset. I want to explore the town so we walk up smooth, worn pebble streets towards the hills. Old ladies walking past with their long braids swaying and old men sitting in benches in the shade of mud walls greet us with buenas tardes as we walk past. It’s only a few blocks of white-painted adobe buildings with their red-tiled roofs, and then the houses are concrete or brick again and in a couple more blocks there aren’t blocks anymore and the countryside opens up into rolling fields.
But we’re not going to the rolling fields, we’re exploring town, and our exploration takes us to a little cafe run by a talkative old Bolivian man with a Swiss espresso machine (Roman is excited about this). The man calls me muñeca (doll) like it’s 1950 and brings me an aperitif of gin and sweet grapefruit soda.
We’re tired from the hike and the simple, delicious dinner we eat in the restaurant of the hotel where we stay. I go to bed early.
3 march 2015
We’re up early for breakfast and our meeting with Macedonio. He takes us out of town in a sturdy white jeep, up green hills laced with granite shelves tilted into a bowl. Torotoro huddles at the base of one of these shelves.
The red road flattens out at the top of the ridge with deep valleys opening out on either side. To the south I can see a pale road tracing the contours of deep, green hills and leading away into the mountains. Soon we turn west and enter a kind of promenade of boulders bigger than houses. Macedonio stops at one of these to show us a protected space where pre-inca indigenous people likely took shelter. There are faint red paintings on the walls – just lines – of mountains, people, rivers.
Further along the boulder field we take another rapid walk, Macdonio skipping along the path. He’s so far ahead that we don’t see him half the time and have to guess at his route. Once I sink to my shins in mud, not having seen him flit over a subtle stone pathway through the bog.
Macedonio’s carelessness is irritating me and making it hard for me to appreciate our next stop, a complex of giant stones worn into weird shapes by erosion. They call this the little city – there are rocks that look like cathedrals, palaces, an open square of grass like a central plaza. It’s a little strange to be taken on a tour of something that has only imaginary significance. The ancient people didn’t actually use this network of stones like a city, and neither are they geologically significant. I wish we had been allowed to explore the rocks on our own and create our own story.
At lunch I rinse the mud off my chucks. We take the jeep back down into the valley and along a little dirt path to the entrance to a cave that Torotoro is famous for. It’s a wide, tall mouth full of large broken stones in a huge arch set into a stony hill. In the far corner the cave narrows and becomes tinier and soon we’re crouching and squatting and shuffling along on our hands and knees and squeezing through a tunnel into a stone chamber under the earth. After a few meters we can stand up again. In the beams of our headlamps we can see elegant, strange stalactites in improbable formations that look like trees or blood vessels or somebody’s brain. I’ve never been in a proper cave before and I find it fascinating. Sometimes we can walk, sometimes Macedonio has us slide down smooth rock slopes, holding on to anchored ropes for support, sometimes we have to squeeze through more tunnels. Halfway through the cave we switch off our headlamps and sit in silence and darkness under the earth for a minute, listening to the distant rush of an underground river.
Up and out the exit to the cave and Macedonio is practically running. We squeeze through tunnels barely big enough to fit through, climb up and down ropes, and slide down rock chutes at a breakneck pace. Later Macedonio tells us he decided to rush us through the cave because he was afraid of a flash flood that would swell the underground river where we follow its course; but in the cave he says nothing about this (perhaps wisely).
In the afternoon after Macedonio leaves us for the day, Roman and I walk the course of the river that flows through Torotoro, building stone cairns and skipping rocks in the river. We climb a hill overlooking the tiny colonial town to watch the sun set.
I sleep early again. I’m exhausted from keeping up with Macedonio today. Our tour is technically over, and tomorrow we take buses from Torotoro all the way out to Cochabamba and up to La Paz.